My grandfather’s art assignment for me the last few weeks (I do bi-weekly art lessons with him, as he is an accomplished southwest landscape painter and has much to share) has been loose contour sketches, like Shari Blaukopf’s shown here. In her post, she mentions Charles Reid’s “blind contour sketch” approach explained in his Watercolor Solutions—a method that has astonished me in its effectiveness. To put it briefly: keep your eye on the subject, your pen on the paper, and follow the outline (or contour) of the subject, checking occasionally to make adjustments on angle or proportion. I’ve been amazed at how accurate my drawings have been, while staying loose.
I used that method for the outline of this sketch, and added my own extras for detail and shading. The detail is fun—dipping the pen in from the outline for a quite squiggle that adds dimension and interest. I’ll be using this method more in the future!
Materials: Strathmore 5.5″ x 8.5″ sketchbook, Pentel Stylo sketch pen